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Rene Paul Chambellan (1893-1955) carved the alternating sculpted figures for the cornice: a lioness representing protection, a snake representing wisdom, and a bison representing strength."},{"count":1,"value":"During the Great Depression, the federal government launched a massive relief and recovery program called the New Deal. Its programs provided employment by funding the construction of public buildings. Specific funds were designated to commission public art by professional artists. Rene Paul Chambellan (1893-1955) created the bronze figures for the massive bronize doors of the south entrance."},{"count":1,"value":"Eight scenes showing the development of Nashville from 1800 to 2001.  Inspired by The Gallery of Maps in the Vatican commissioned in 1580 by Pope Gregory XIII.  The mural culminates in a half medallion above the entry doors."},{"count":1,"value":"Full-length standing figure of Ryman, holding a section of a riverboat steering spoke."},{"count":1,"value":"George Julian Zolnay (1863-1949), originally from Hungary, first came to the United States to attend the 1893 World’s Columbian Exposition in Chicago. Making his way to Nashville, he helped create the pediment sculptures for the full-scale Parthenon replica at the 1897 Tennessee Centennial Exposition. Zolnay is responsible for many Confederate memorials and was given the title \"Sculptor of the Confederacy.” Because no pictures of Sam Davis existed, Zolnay based the likeness on Davis' relatives. It was cast in bronze by Roman Bronze Works in New York."},{"count":1,"value":"George Julian Zolnay (1863-1949), originally from Hungary, made a name for himself in Nashville with his work on the Parthenon pediment sculptures at the 1987 Tennessee Centennial Exposition and in 1909 with his Confederate monuments for the Tennessee State Capitol and Centennial Park. His monument to World War I veterans, in bronze on a Barre granite pedestal, features a caped female figure administering to a wounded soldier. Like Belle Kinney’s monument  to Southern Women, his design emphasizes patriotic motherhood. This memorial was funded by the Nashville Kiwanis Club."},{"count":1,"value":"Giant stacks of stereo hi-fi speakers."},{"count":1,"value":"Hinged aluminum panels that cover a wall of the Consolidated Rental Car facility. The panels move according to the wind."},{"count":1,"value":"Images of local people as well as Tennessee animals and plants are incorporated into the three pair of grand scale double doors.  The 8 panels in the Central Pair of Doors convey the importance of reading by depicting a  widely diverse group of adults and children enjoying books or using a computer.  The 16 panels on the East and West doors show the plants and animals.  The artist's intent was to humanize the library entry experience by creating a work that children and adults could touch and view at pedestrian scale."},{"count":1,"value":"In 1869, the Ladies’ Memorial Society of Nashville purchased a circular burial ground at the highest point in Mt. Olivet Cemetery for Confederate Circle, the final resting place for more the 1,500 Confederate Soldiers. After years of fundraising, on May 16, 1889, a monument was dedicated at the center of Confederate Circle. 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